Horace Scudder, editor of The Atlantic Monthly, rejected Charlotte Perkin Gilmans request for her piffling give-and-take report The yellowed W everypaper to be published on the movement that it was non morally uplifting. It is understandable that editors would hope content stories as their main grocery store store are good deal who hit the books for purpose and to escape from casual life. They do not want to read about policy-making and societal lines. This explains why, for business purposes, they would not want to publish the short bill. Yet Scudder did not take hold ofm to full understand the undertones of The Yellow Wallpaper, as all he cared to mention was that it do him miserable. The Yellow Wallpaper gives readers an insight into the humankind of low, which many people from that era never saw, and definitely did not understand. Medical groups did not know of post-natal depression, which lead to a ill-timed diagnosis of her problem and therefore an improper treatment. She was isolated and told not to do anything stimulating. In 2004 she would have had treatment which consists of anti-depressant drugs like fluoxetine hydrocholoride and counselling and patronise groups. One could argue that her tale of depression led to the discovery of a new form of depression. It is as well debatable as to whether or not the story was all that miserable.
The general story is somewhat gloomy as we see the main shells setting go from bad to worse. In the check though, the main character who was suffering from depression escapes from the forced containment. To me this seems happy as she at long last has freedom to do what she! wants. Same goes for the symbolic subplot. The climax is that the charr imprisoned by the wallpaper manages to get out, suggesting that men no longer control women. As mentioned in the Afterword, no-one... If you want to get a full essay, dictate it on our website:
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